Map: Dinajpur District |
On literature and culture, there is filled with rich
and ancient history of Dinajpur district. Legend has it that one individual
named dinaraja dinaja or family who founded this place. This place is named
after the name of the district.
Dinajpur district’s
famous things:
Litchi
Dinajpur and Rajshahi are most famous for litchi.
Bangladesh is the most litchi cultivation in Dinajpur. Of different varieties
of litchi, Madras, Bombay, China 3, varieties of litchi are very much
appreciation. Litchi is grown on about 150 hectares of land. There are nearly 1
century lands a litchi tree. There are trees around 3, 70,500. Litchi tree is
about average for 4000.
Lichi in Dinajpur |
Fragrant
rice / rice
Fragrant rice / paddy cultivation in the district of
Dinajpur is the best. Various types of fragrant rice planting occur in this
district. In kataribhoga, black cumin, eggplant seeds, rice -50, bidi
significant. Of which, the rice is shorter or longer again.
Sapnapuri
Sapnapuri is renowned as one of the picnic spots. To
believe that we cannot see such a beautiful dream. The main gate of the light
entering the eye suggests it will have two plans. In Dinajpur district, about
10km north of the Nabangam Sapnapuri
filled. The VIP rest House, 10, 14 and 8 rest middle-class house has been
built. Construction is currently under development more Rest Houses. Ropeway,
kebalakara, ghoraragari, zoo, zoo artificial, synthetic Fish Alley, Restaurant
with entertainment facilities of the park are available.
Ramsagar
Ransagr, Dinajpur |
Kantajira Temple
Kantajira house eighteenth century brick house.
Approximately 12 mile north of the city of Dinajpur and Rangpur-tetamliya a
quiet road about a mile west of the river Dhepa clam area Kantanagare temple is
viewed. The temple is a famous Bengali property of the wall has been enhanced
with terracotta ancient story filled. The nine or not the peak, the pinnacle,
the Hindu temple was destroyed in the earthquake of 1897, the peak of the
original nine. Autism in black pyramid-shaped temple was three steps up and
three steps above the angles of nine ornamental gems peak or a high base, which
look like they are standing on a chariot adorned with gigantic. Arched openings
are around the house from any direction, so that the devotees can see the inner
sanctuary of the deity. The temple is placed on a rectangular square courtyard.
There worshipers around the seat of tin, which is covered by waves. The entire building has been built on the main square in the center of the cell. Temple standing on a stone plinth height is of over 50 feet. The idea is to Dinajpur, Bananagar construction materials brought from the ruins of the wall was made of it. Each entrance arch is on the ground floor of a groove. Each richly decorated khilanake separated by two brick pillars. 1 on the first floor of the four-cell vault doors, the number 7 on the second floor of the vault door. That of the third floor is of the three access doors and three windows. Kantajira terracotta ornamentation of the temple is an aspect of that, it did not paint the images of erotic scenes, as seen in Orissa and the South Indian temples. Kantajira stoneware wall of the house on the creature and vitality in the decoration of the time and cherished for thousands of years on the strength of the sediment from inside the industry grew. The fertile alluvial soil of the country due to lack of stone, terracotta art was a logical development. In contrast to the traditions of the ancient art of isolated and somewhat disjointed style of the temple will be a combination of several individual panes of the industry and in particular in the industrial process that occurred in the integrated form is a kind of rhythm. The effect of carpets and other industries are often targeted at the wealthy use of decoration.
There worshipers around the seat of tin, which is covered by waves. The entire building has been built on the main square in the center of the cell. Temple standing on a stone plinth height is of over 50 feet. The idea is to Dinajpur, Bananagar construction materials brought from the ruins of the wall was made of it. Each entrance arch is on the ground floor of a groove. Each richly decorated khilanake separated by two brick pillars. 1 on the first floor of the four-cell vault doors, the number 7 on the second floor of the vault door. That of the third floor is of the three access doors and three windows. Kantajira terracotta ornamentation of the temple is an aspect of that, it did not paint the images of erotic scenes, as seen in Orissa and the South Indian temples. Kantajira stoneware wall of the house on the creature and vitality in the decoration of the time and cherished for thousands of years on the strength of the sediment from inside the industry grew. The fertile alluvial soil of the country due to lack of stone, terracotta art was a logical development. In contrast to the traditions of the ancient art of isolated and somewhat disjointed style of the temple will be a combination of several individual panes of the industry and in particular in the industrial process that occurred in the integrated form is a kind of rhythm. The effect of carpets and other industries are often targeted at the wealthy use of decoration.
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